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Welcome Our Independent Filmmaker pages are loosely organized in the chronological order of legal and business matters you might face throughout your project -- from treatment to final cut. Please help us improve our site. If you notice an error or have a suggestion for a link or additional information, please contact us. THIS WEB SITE HAS BEEN PREPARED FOR EDUCATIONAL AND INFORMATIONAL PURPOSES ONLY AND IS NOT LEGAL ADVICE OR A LEGAL OPINION. ONLY YOUR ATTORNEY CAN ADVISE YOU ABOUT WHICH LAWS ARE APPLICABLE TO YOUR SPECIFIC SITUATION. Contract Law Overview Movie mogul Sam Goldwyn was right: “A verbal contract is not worth the paper it is written on.” Although many of us prefer to conduct business on a handshake, vague verbal agreements can result in ugly misunderstandings. Most disputes are not intentional but rather the result of confusion that could have been avoided by a focused discussion delineating responsibilities followed by a written agreement. Of course, no piece of paper will compensate for lack of integrity or mutual respect. Even when the parties completely trust a “gentleman’s handshake,” without a written contract, each is taking a risk that expectations might not be fully understood. Written agreements are the most reliable way to establish that a deal was actually made and what the terms were. Putting the agreement in writing:
Our free guide, Anatomy of a Contract, provides negotiation tips, encourages artists to put agreements in writing and determine when they should seek legal counsel, and explains the benefits of using mediation to resolve arts-related disputes. Here are a few key points: Contracts do not have to be long and intimidating. Instead, they should be clear and specific, written in terms both parties can understand. Vague contract language can lead to misunderstandings, disputes and lawsuits. Use simple language that accurately expresses the agreement. At miniumum, a contact should:
Another approach is to start with a sample agreement or deal memo like those provided on this site, which can serve as a discussion checklist. But remember, using model contracts with boilerplate (standard) provisions is like buying a suit “off the rack” – it will need to be custom tailored to fit your specific situation. Well-crafted contracts anticipate contingencies. You may want to include an escape clause, a provision that allows the parties to be relieved from (get out of) any obligation if a certain event occurs. One way to avoid litigation (or resolve a problem before it gets to the belligerent point of no return) is to agree, in advance, to mediate disputes. Usually, this is done in the contract. If you live in Missouri or Southwestern Illinois, we encourage you to include the following mediation clause in your arts-related agreements: All disputes arising out of this Agreement shall be submitted to mediation in accordance with the rules of the Arts Resolution Services, a program of the St. Louis Volunteer Lawyers and Accountants for the Arts. Before you sign any agreement, think about what could go wrong or what could make performance of your obligations difficult or expensive. Enter into the contract only if you believe that you can meet your commitments Next: Scripts . |
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